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TRELLDOM
"Til Et Annet..."

Trelldom since the very beginning, was a word which means true Norwegian Black Metal in every way... The debut CD, 'Til Evighet' was released in 1995 on the legendary Head Not Found, in a very classical design, black & white with corpse-painted figures on the front! The debut on HNF has sold incredibly well, even when Black Metal was not as common as it is nowadays!
'Til Et Annet...' the new album was recorded during 1998/1999 in several sessions. Gaahl is still the premier member, maybe more or less the most unholy member! He is very busy with other projects, including being the vocalist of Gorgoroth!

* Track Listing:
1. Vender Meg Mot Ett Kommende
2. Slave Til En Kommende Natt
3. Min Dd Til Ende
4. Til Et Annet...
5. Til Is Skal Eg Forbli
6. Svinfylking - Til Krig
7. Hyt Opp I Dypet
8. Sowar Dreyri

Import from Holland (on Hammerheart Records).

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TRELLDOM
"Til Evighet..."


True Norwegian Black Metal from Gaahl (vocals, poetry, & concept) with help from Bjorn & Ole Nic (members of Betrayer), & synth/keyboards by Maestro Husabo. Nordic grind in the classic tradition, sometimes basic & raw, other times with a neo-gothic darkness & atmosphere. This is Head Not Found #016 (from 1995).

Import from Norway (on Head Not Found!).

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KRAAL
"Mutant"


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SVARTSYN
"The True Legend"


This German trio (Ornias, Surth, & Draugen) look really great with their studs, black tunics, corpse-paint & long blonde hair (looks like the guys from Nastrond), but they can really support that look with their grindy, thick, reverb-drenched Black Metal thrash that has a dense, old feeling similar to the earliest Bathory. This is relentless, pounding Extreme Metal that is uncompromising in its evil & darkness! Corrosive grim & tortured vocals (that sound faraway as if in a deep pit) fly over the crunch-heavy brutality racing along like a runaway chariot, the only relief during the breakneck pace being occasional appearances by a guest keyboardist (Guran) & 2 enchanted female vocalists (Anna Svensson & Michaela Löfving!). An exhausting, but thoroughly satisfying blackened journey!

Imported from Berlin, Germany (on Folter Records).

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NIHILI LOCUS
"...Ad nihilum recident omnia"


Amazing & incredible MCD (3 songs, plus intros & interludes, etc.- indexe d as 1 track: 22 minutes total running time) of excellent original extreme Dark & epic, majestically Doomy Black Metal from Turin, Italy! Explosive raging BM songs framed by suffocating Doom breaks & neo-classical interludes; dual male vokills, both brutal & grim, duel around etherial & ghostly female vocals by Monica Tavernito (More! More!) with lyrics of Tenere (death) & Rigor Mortis! Racing thunder-drums, heavy guitar-grind, floating icy or orchestral keyboards, & grandiose arrangements articulate subjects obsessed with death, blood, battle, doom, & darkness! This is like true Black Metal Elend! What more can you want, as this is sure to surprise the fuck out of you!

Imported from Italy (on Boundless Records).

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RAGNAROK
"Nattferd"


From 1996.

Imported from Norway (on Head Not Found/Voices of Wonder!)

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RA GNAROK
"Arising Realm"


True Norwegian Black Metal on Head Not Found (Hail Metallion!) of extreme power & darkness-- a MUST HAVE!!! Pure BM riffs & old feeling given a new attack with magnificent drumming, racing, soaring atmosphere, monstrously evil grim vocals (a great ghostly recording!), & killer keyboards & synth-work by SHAGRATH (Dimmu Borgir!)... What more do you need, when this ranks up there with the best from Norway (other new bands like Malignant Eternal, Old Man's Child, Tulus, Aura Noir, Kampfar, Borknagar, Limbonic Art, Tartarosetc.); bloodfreezing Elite Nordic BM that is unmatched outside of Norway! *(This is Ragnarok's 2nd. album on HNF-- new for 1997; the 1st. album was/is "Nattferd" from 1996)

Imported from Norway (on Head Not Found/Voices of Wonder!)

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TWIN OBSCENITY
"For Blood, Honour and Soil"


Atle Wiig-- vocals, guitar, keyboards; Jo-Arild Toennessen-- bass; & Knut Naesje-- drums.

Imagine the impenetrable, dark Norwegian woods by night, when only frail streams of silver moonlight fall through to the ground. Animated by the creatures of the night, one can also picture hordes of ancient soldiers still riding on their war horses and desperately looking for a moment of rest in their never ending battle. It is this sacred lore and setting that Twin Obscenity have consistently captured and portrayed their music and songs, and the band's new opus "For Blood, Honour and Soil" is an immensely solid piece of work that indeed paints a grim picture of a battle-scarred past.
This Stavanger, Norway based trio aren't just another Black Metal act ob sessed with Satanism and at the same time offering only mediocre material and production, their strong roots go back to 1991 when singer/guitarist/keyboardist Atle Wiig met bassist Jo-Arild Toennessen, who had previously been playing with drummer Knut Naesje. A quick formation ensued, and after auditioning a small number of extra members they decided to stay as the original three-piece, thus bearing Twin Obscenity.
Over the next few years they recorded three demo tapes which furthered their reputation as one of Norway's most talented black/death metal bands. Their '93 recordings "Ruins and Behind The Castle Walls" were more in the vein of classic death and doom metal, whereas "Revelation Of Glaaki" marked the band's turning point in 1995.
Having already developed the shadowy foundation of their majestic and atmospheric Black Metal style, the band mixed a lot of grind and melodic keyboards into their sound, immediately adding the senses of intelligence and advancement to their creativity. Twin Obscenity's debut album "Where Light Touches None" was released in the summer of '97 on the Norwegian label Head Not Found and received very enthusiastic reviews in the press while spreading the band's name quickly throughout Europe.
In the beginning of 1998 they recorded their second album "For Blood, Honor and Soil". Working their way through numerous moods and image settings, Twin Obscenity's powe r and whirlwind-like capabitlities are matched equally with striking passages containing triumphant keyboards and angelic, melancholy acoustic overtones. Well constructed and restrained guitar leads and melodies, not often found in today's Extreme Metal realm, also give "For Honour..." a very welcomed, distinguishable and memorable feel. Continuing to set positive examples of growth and creative experiment, while still delivering some of the darkest extreme metal around, "For Blood..." sees Twin Obscenity taking two steps forward in hopes of separating themselves apart from the scene's overcrowded masses. -- Century Media info-sheet

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TWIN OBSCENITY
"Where Light Touches None"


Another "Can't miss!" essential release of Norwegian Doomy Black/Death from Head Not Found! This quartet features Viking power-trio (Atle Wiig, Arild Toennessen, & Knut Naesje) with operatic female vocals by Tonje Ettesvold (& special spoken vocal contributions from Vegar Hoel of Black Lodge!)... With a variety of styles from pure Viking Metal to grindy Swedish-styled harmonic Death, Twin Obscenity blast forth with a massive album of brutally intense, confidently muscular Nordic Metal that approaches Wagnerian proportions & the atmospheric histrionics of Orff's "Carmina Burana". Rocking neo-Deathrash balanced with dirgy operatic Doom makes for an unbeatable & interesting, but consistent mix of styles. Fans of Einherjer, Satyricon, & Enslaved will surely love this!

Import from Norway (on Head Not Found/Voices of Wonder!).

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